[share_ebook] Agatha Christie - The Murder at the Vicarage

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Almost all of Agatha Christie’s books are whodunits, focusing on the English middle and upper class. Usually, the detective either stumbles across the murder or is called upon by an old acquaintance, who are directly involved somehow. Gradually, the detective interrogates each suspect, examines the scene of the crime and makes a note of each clue, so the reader can analyse it and be allowed a fair chance of solving the mystery themselves. Then, about halfway through, or sometimes even during the final act, one of the suspects usually dies, often because they have inadvertently deduced the killers identity and need silencing. In a few of her novels, including Death Comes as the End and Ten Little Niggers, there are multiple victims. Finally, the detective organises a meeting of all the suspects and slowly denounces the guilty party, exposing several unrelated secrets along the way, sometimes over the course of thirty or so pages. The murders are often extremely ingenious, involving some convoluted piece of deception. Christie’s stories are also known for their taut atmosphere and strong psychological suspense, developed from the deliberately slow pace of her prose.

Twice, the murderer surprisingly turns out to be the narrator of the story, in The Murder of Roger Ackroyd and Endless Night.

On three occasions, Agatha Christie lets the murderer escape justice (and implicitly almost approves of the murder), in Murder on the Orient Express, Curtain and The Unexpected Guest.

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