Architecture and Tourism: Perception, Performance and Place
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Description
D. Medina Lasansky, Brian McLaren, "Architecture and Tourism: Perception, Performance and Place"
Berg Publishers | 2004 | ISBN: 1859737048 | 320 pages | PDF | 1,5 MB
Berg Publishers | 2004 | ISBN: 1859737048 | 320 pages | PDF | 1,5 MB
Architecture and Tourism examines the relationship between tourism and the built environment and shows how photography, film, and souvenirs have been deployed to help mediate and mythologize specific sites. It also explores how tourist itineraries, behavior, and literature support larger cultural objectives. Drawing upon case studies in the United States, Cuba, Ghana, Greece, France, Italy, Libya, Mauritius and Spain, Architecture and Tourism explores the touristic experience, representation and meaning of place within distinct cultural contexts. From the former sites of the slave trade on the Ghanean coast to the urban renewal of Old Havana and the honeymoon resorts in the Poconos, this book provides provocative insights into the practice of tourism and the conception of place.
Review
Spectacle, pilgrimage, history, myth, vision of the future - all these realms come together in Architecture and Tourism, as they do in our personal travels and in national policies around the world. over the past three hundred years, tourism has become an essential element of western architecture.Gwendolyn Wright, Professor of Architecture, Columbia University Lasanky and McLaren's comprehensive collection explores the historical dimensions of tourism, showing how it has always been intimately connected with matters of architecture, urbanism and space. At once insightful and informative, Architecture and Tourism is an important contribution to our understanding of this pervasive global phenomenon.Iain Borden, Professor of Architecture and Urban Culture, UCLA provocative series of essays about the interrelations between the designed environment and tourist practices. With a rich and diverse range of examples, the contributors place an insightful emphasis on the agency of both architects and tourists in the construction of spectacles well worth visiting, whether on the Grand Tour or postmodern Bilbao, Old Habana or Las Vegas.Jeremy MacClancy, Oxford Brookes University
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