Civilizations : Culture, Ambition, and the Transformation of Nature

Category: Novel

Tag: History and Military


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Felipe Fernandez-Armesto , "Civilizations : Culture, Ambition, and the Transformation of Nature"
Free Press (June 1, 2002) | ISBN: 074320249X | 560 pages | PDF | 7,7 Mb

"Civilization" is a tricky term, one that means many things to many people. For some, it denotes great buildings, canals, codes of law; for others, it offers a contrast between one group and another, with the advantage always going to the more "civilized" bunch against the "barbaric," "savage," or "primitive."

All such distinctions, writes Oxford University historian Felipe Fernández-Armesto, are arbitrary and laden with subjective value; they speak to unscientific notions of progress, to hidden agendas. What matters, he continues, is the extent to which a culture has developed means to separate itself from nature: "Civilization makes its own habitat. It is civilized in direct proportion to its distance, its difference from the unmodified natural environment." A culture such as the ancient Han Chinese, the medieval highland Maya, or the Renaissance Venetian, then, is highly civilized inasmuch as its members dammed and diverted rivers, drained lakes, stripped forests, and built monumental structures to celebrate their achievements; people content or resigned to "live off the product and inhabit the spaces nature gives them" are markedly less so by virtue of that accommodation.

No culture, Fernández-Armesto writes, is inherently exempt from becoming civilized; nor, he adds, does "civilized" equate to "good." In exploring history as a branch of historical ecology, he sometimes abandons his thesis, intriguing and provocative as it is, to engage in a wide-ranging survey of the world past reminiscent of (but much better-written than) Toynbee and Durant, touching on the ancient Greeks here, the herding peoples of the African savanna and Central Asia there, the Moundbuilders of prehistoric North America and the hunting peoples of the Arctic there. Unlike many standard textbooks, his narrative manages to offer something new wherever he turns. Allusive and learned, his book repays close reading--and should inspire plenty of argument along the way.

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