Hemingway and Women: Female Critics and the Female Voice

Description

Susan Beegel informs us that of the seventeen women writing about Ernest Hemingway in the decade following his death, only Naomi Grant, a 1968 graduate student, discussed Hemingway’s female characters, daring to challenge the “male-oriented” focus of early male critics (276). But the number of notable women Hemingway scholars doubled in the 1970s, doubled again after the publication of The Garden of Eden in 1986, and today accounts for nearly one-third of Hemingway criticism."Comprising 17 essays written expressly for this volume, this excellent book is a fine addition to the body of Hemingway criticism and biography. . . . [S]cholars of impeccable reputation [offer] pieces integral to the puzzle of Hemingway's personal complexity and that of his female mates and characters. . . . Highly recommended."--Choice

"The authors focus on women connected to Hemingway in life, specific female characters, and issues of gender and sexual ambiguities and crossings embodied or enacted by male and female characters. Topics range from reading the feminine in nature to expanding the concept of the code hero to include major female characters."--American Literature

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