The Teaching Company: Bach and the High Baroque - Part II [Audio Lectures]

Description

Underappreciated in his own time, Johann Sebastian Bach has ascended to Olympian heights in the estimation of generations of music lovers. But what is it about his music that makes it great? Composer and musicologist Robert Greenberg helps you hear the extraordinary sweep of Bach's music and understand his compositional language—whether you're a devoted admirer or a casual listener.
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Taught by: Robert Greenberg, San Francisco Performances, Ph.D., University of California at Berkeley
Course Lecture Titles
14.Vivaldi, Bach and the Concerto, Part II—Vivaldi's Model and Bach, Violin Concerto No. 2 in E Major
15.Vivaldi, Bach and the Concerto, Part II—Bach Violin Concerto No. 2 in E Major (cont.)
16.Vivaldi, Bach and the Concerto, Part III—The Concerto Grosso and the Brandenburg Concerto No. 2
17.Bach and the French Style, Part I—Dance and the Orchestral Suite
18.Dance and the Orchestral Suite (cont.)
19.Bach and the French Style, Part II—The Keyboard Suite
20.The Keyboard Suite (cont.)
21.Bach and Opera, Part I—Cantata No. 140 Wachet auf, uns ruft die stimme
22.Cantata No. 140 Wachet auf, uns ruft die stimme (cont.)
23.Bach and Opera, Part II—Opera Buffa and the Secular Cantata, The Coffee Cantata
24.Opera Buffa and the Secular Cantata, The Coffee Cantata (cont.)
25.Bach Transcendent—The Saint Matthew Passion, Part I
26.Bach Transcendent—The Saint Matthew Passion, Part II
27.Bach Transcendent—The Saint Matthew Passion, Part III
28.Bach Transcendent—The Saint Matthew Passion, Part IV
29.Bach Transcendent—The Goldberg Variations, Part I
30.Bach Transcendent—The Goldberg Variations, Part II
31.Bach Transcendent—The Goldberg Variations, Part III
32.Bach Transcendent—The Goldberg Variations, Part IV

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Part I you can find there

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